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Monthly Archives: August 2008

available at Colette (300 Euros w/VAT) & Bauhaus Hong Kong (over 3,200 HKD)
Originally one of his favourite design- “Avery”. Kitsuné and Pierre Hardy, two French units that represent the Paris today have been collaborating for two seasons, looks like the co-op is going to become a ritual now. After navy and off-white leather, Hardy offered brown suede for F/W08. It looks pretty neat and classic, modern classic to be exact. Fans of his and Kitsuné’s should have no problem in liking it. Judging by his strong business trend at sneaker category which has taken from Dior Homme; and sharing with Lanvin Homme these days, he has become one of the most successful and sought after French shoe designer. Friends are buying his sneakers and booties on a season basis. Some worry about the over-exposeure might cool down his coolness, but I think Hardy’s creations can surpass that.
Yes, I hate bags, and I say it loud. Rarely do anyone find me carrying a bag unless necessary.
Bags sold as ‘luxury item’ is now a norm, anyone who is a brand or got a brand would do a bloody bag or two. Why are they so pricey? I know not; all I know is that the whole bag flood is killing fashion. It’s all about status and compulsive shopping, women have this idea of buying a seasonal bag instead of seasonal wardrobe, but for what? Bag equals not fashion – Wake up!!! I don’t like to talk about bags here, unless it’s fun or/and really well designed, like this one.
Jeremy Scott designed the 3rd collaboration at Longchamp. He took the idea of the holdall and covered it in the colour of a gold card: at the front, the emblem of Scott and a bank account number; at the back, the signature of the holder and a magnetic stripe. Between the two, a solid cotton cloth, two handles and the small flap of leather distinctive leather flap. I applaud for his irony take onto the object and the creative space given by Longchamp which, surprisedly, after 60 years of success, knows not to take things too seriously. Innit great?
[Interview], now a Brant-owned property is ready to rock again. having had two warm-up issues with Marc Jacobs and Eva Mendes. The upcoming official revamp issue features la Moss. As creative director Fabien Baron said, they will be more fashion/art/cult oriented. With Baron’s triumph record at Harper’s Bazaar and VogueParis, and long resume in visual, magazine and fashion arena; plus teaming with Glenn O’Brian and the open-minded Peter Brandt; sounds like there will be blood in the U.S. press world from now on.
… On the other hand, Kate Moss has recently become the face for Yves Saint Laurent’s new lip gloss Rouge Volupté. Is it not going to contradict her contract with Rimmel London though? Or is Rimmel’s ad was strictly used in the U.K.? Who really can say no to the house of Saint Laurent though?
about Rouge Volupté
A lipstick should be comfortable. Present but not intrusive. Creamy, but not stifling. Silky, but not glossy. Matte, but a little brighter still. In short, everything and its opposite.
That is one that has everything to him. Carrossé in a case of gold rose slightly, the Rouge Volupté is expected to enter the pantheon of lipsticks. In addition to its packaging, very feminine, very Saint Laurent, cracks first for its appearance and texture. Its creamy touch liquefied in contact with the lips, making red flexible, but not baveux. It then flashes on its ten-eight shades of nude running the most purple-bodied, through a variety of roses, honey, brown and coral. The colors that dosent skillfully matt effect and “Glossy Film”, a polymer having a mirror that reflects light. Latest information: a true scent of lipstick, UV filters, microspheres hyaluronic acid, an extract of his rice-eating… and a campaign carried out by Kate Moss. Fatale attraction.
We know it’s gonna be CdG everywhere, in press and on street, this fall. The first looks of her collaboration with H&M (above) has just been unveiled. it’s about time to prepare your tent and bits & bobs for the launch now, expect the overnight(s) queue in Hong Kong, there would be a scene for sure. Read more at *here.
Rarely do I go to cinema anymore, but there are 2 movies that I’m intrigued to see. Both of them look stylishly art directed and their leading roles are androgynous and aspiring.[Savage Grace]- Julianne Moore’s red mane is indeed eye catching, but what really drew my attention is actually the young gent who plays her son in it. With identical freckles, red haired Eddie Redmayne is that introvert psycho-esque 23 year old who shines through the still shots. He is one of the faces of Burberry‘s S/S08 campaign, however, judging by the photos, he seems more fitting to Lucas Ossendrijver’s Lanvin. He has the aristocratic air that is required by Lanvin’s clothing.
[Sagan]- a biography played by actress Sylvie Testud, French novelist Francoise Sagan with the infamous female playboy lifestyle was immortalised. Chanel-esque twinset, loose tops, men’s check trousers paired with pearl necklace, LBD and trench coat as well as Sagan’s signature sailor tee, denim jeams and mocassins combo, Testud wore them with grace. Do we ever get sick of the renowned French classics? Not really. Before Audrey Tautou’s [Coco avant Chanel], we have [Sagan].
Sans Lacroix and Gaultier. In came Givenchy and Jeremy Scott.
Most people are lucky to work with Madonna once. Costume designer Adrianne Phillips has lasted 11 years, from the singer’s pre-Raphaelite look for “Ray of Light” to the urban cowgirl of “Music” to the Patty Hearst look of “American Life” and on and on and on. In other words, measured in Madonna time, Phillips is roughly 77 years old. Still, La Ciccone’s upcoming “Sticky and Sweet” tour has had its own unique challenges for her longtime stylist. “Normally we prep in April and May, and open in June,” says Phillips. “This time, the tour begins in August. It’s a nightmare. Everyone in Italy and France is on a beach sunning themselves.”
Thankfully, everyone is a bit of an exaggeration, as Phillips goes on to detail a mile-long list of willing collaborators and everything they’ve designed for the trek, which begins Aug. 23 in Cardiff, Wales, and comes to the United States in early October. Givenchy’s Riccardo Tisci designed two outfits, while Tom Ford provided bespoke suits for the band. Three pairs of shoes have been custommade by Miu Miu, there are thigh-high boots courtesy of Stella McCartney, sunglasses from Moschino, and other outfits and odds and ends from Yves Saint Laurent, Roberto Cavalli, and Jeremy Scott.(left) designed by Riccardo Tisci at Givenchy. (right) Jeremy Scott’s ‘Old school’ section.

Like her shows in the past, this tour will be divided into four sections. The first references gangsta pimp and Art Deco with Givenchy costumes. This, it would seem, is Madonna’s current take on her longest-running fashion inspiration — the dominatrix. “It’s a theme that runs throughout her career” Phillips says.
She’s not afraid of being hard.” The second section has been termed “Old School,” and harkens back to Madonna’s early days in New York, with Scott’s outfit and some vintage prints from Keith Haring, the late graffiti artist and friend of Madonna who died of AIDS in 1990. “He and Madonna were friends. If her were alive, it would be his 50th birthday as well. So I thought, ‘What if we revisited that?’” Afterward, there’s a gypsy section with more costumes from Givenchy. “Riccardo’s a new young talent. If you look at Madonna’s history with fashion, that makes him an obvious choice.” Finally, there’s a futuristic rave section with lots of Japanese influences. And while The New York Times complained recently about Madonna’s style choices, Phillips says getting older has had little effect on her sense of fashion adventure. “She always wants to push the envelope. There are no vanity considerations based on her age.” As Phillips adds seconds later, “She looks good in everything.” – WWD, 5 August 08
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