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Daily Archives: July 21, 2006

I think it’s time for Pierre Hardy to make it to a much higher level. Over the last 10 years, Pierre Hardy has built his namesake brand quietly. His designs are popular in Paris, Japan and Hong Kong. His style is quirky, eccentric, at the same time, futuristic, bold and yet with referenced. Why now though? Simply because we are experiencing a “fashion” period, ie. designers are doing non-mix&match-able outfit / head to toe look, e.g.: Stefano Pilati’s YSL Dada pumps or Lanvin’s wood-made killer heels just do not go well with any other brands, whereas shoe designers’ creations are there to accentuate the wearer and “the look”. Furthermore, Pierre’s sensibility fits so well with this coming fall’s surreal, abstract feeling. That’s why I think he deserves more noise.

SPOV: yours truly / PH: Pierre Hardy
SPOV: Your designs are very intrigued, surreal and beyond fashion, what is shoe designing to you?
PH: Each season it is like reinventing a “new little shape”, that will be a heel, a platform… To make a new shoe. The space for creation is very small!… And that is what I like.

SPOV: A famous retailer in Paris once told me that Pierre Hardy’s shoes are very modern, graphic and cool, how would you describe your own design in general?
PH: I try to make it as powerful, clear and sensual as possible.

SPOV: Where do you draw inspiration? And what are your normal procedures when designing? Do you always draft a sketch first?
PH: Yes the first step is quite always a drawing, first because most of my ideas come from drawing, secondly if I got an idea “in mind”, I first try to give it a shape into a drawing. “inspiration” by itself is much more like a surrounding, it always comes from outside fashion….

SPOV: People are obsessed about French fashion again in the last few seasons in particular, and people go crazy about yours, Louboutin and Vivier by Frisoni, what makes French shoe designing different in your opinion?
PH: May be it is a “specific –French sense” of sexiness combined with modernity and classic feeling ?

SPOV: What is your idea of French style? Would you consider your design très French?
PH: I do think that, in a way (and there is many different way to be French !). I got a French taste for some kind of things like : provocation plus classicism, simplicity plus strange colors… And other paradoxes that maybe make the “ French spririt”.

SPOV: We are lucky to have your design in Hong Kong quite early on, and it’s obvious that your business booms dramatically this year, in the US especially, is it a business strategy that you have or you just play along with your gut instinct?
PH: If it is a strategy, it is a spontaneous one . But it is true that US are very curious and responding with my collections.

SPOV: How did you get start with cooperating with Hermès? Is it difficult to design for a house like Hermès? What does Hermes stand to you?
PH: I started 15 years ago for Hermès and at that time, the shoe collection was very young; Almost nothing. What has been exciting, was to build a whole “department” inside the House. Working for Hermès is both simple and difficult : simple because you are not “alone”, and there are many subjects of inspiration; difficult because I have to integrate many restrains in terms of quality level (craft, materials…) and in term of respect of the “history”…. But that make me going forward !

SPOV: You are doing the jewelry for them too, are you trained for that? Jewelry is something normally associated with luxury, what’s your concept?
PH: I think that Jean Louis Dumas asked me to do jewelry because he thought that the “way” I was doing shoes could be transferred into jewlery. Probably it is my approach to jewlery, that is not the one of a proper “jewelers” that interested him. After that, luxury has many different shades. The question is to find the right one for Hermès.

SPOV: What’s the main concern when designing for Balenciaga? Do you design shoes for Balenciaga men too? How do you draw the line between Balenciaga and your own collection?
PH: First of all, it is a collaboration whit Nicolas G.. My work with him is more like a tennis game. I try to bring him my “expertise” in shoes. Also for Balenciaga I have to have in mind an already done silhouette: clothes are the first, shoes come after. It is very different when I work for myself. I am” just” doing shoes and they have to fit many different kind of girls and clothes, but I hope that they will rule all the silhouettes!

SPOV: We see a lot more low key, classic designs for Pierre Hardy men, why?
PH: I don’t like fantasy shoes for man. I love “ standards”, but I try to make them modern and new, changing the colors and the materials, or slightly the line or the proportions.

SPOV: Talking about men’s design, you renew the simple lace-up booties in different materials and colors season after season, you like that design very much apparently, why so? Some would say the inspiration is from Clarks’ “Wannabe” style, is that true? How did you create those booties at the beginning?
PH: It is an “Avery” easy going standard shoes! In between a classic derby shoe and a sneaker. You can wear them in many different moments, no season… Also it is a shoe with no age : boy or man time.

SPOV: Is there anyone you really admire in the shoe business?
PH: I love Beth Levin and Perruggia.

SPOV: Manolo Blahnik recently said Balenciaga (by Nicolas Ghesquière) makes great clothes, but their shoes look like furniture. Do you care about other people’s opinions?
PH: No.

SPOV: Do you consider yourself a shoe designer or a cobbler?
PH: “Designer”. It could be something else other than shoes !

SPOV: I saw you once at Dior Homme on Ave. Montaigne, busy trying things on, can you describe your own personal style? I know you wear both Balenciaga and Dior Homme.
PH: I try to combine. I don’t like total looks. I also mix Prada, Martin Margiela, vintage… A balance between classic and “négligé”.

SPOV: Can you talk about the new Pierre Hardy handbag collection? What inspire you so? Are you still working for Sequoia?
PH: Bag design is very different from shoes design. I didn’t wanted to make a “box”, or a hard ware bag ! I tried to make it as light, supple, and sensual as possible, but also graphic and “clean”.

SPOV: What are you reading and listening to these days?
PH: Books- Dan de lilo: Cosmopolis. Stephan Sweig: Marie Antoinette. Houelbecq : Possibilité d’une Cité.
Music- Nick Drake, Stone Roses, Kelis, Akon, 50 cent , Roberta Flack, Gainsbourg, Charles Aznavour.

SPOV: What perfume do you wear?
PH: Pour un Homme de Caron and Jicky de Guerlain.

Thank you, Mr Hardy.

Pierre Hardy
Palais Royal | 156, galerie de Valois, Jardins du Palais Royal – 75001 Paris | +33 1 42 60 59 75
Palais Bourbon (NEW!) | 9-11 place du Palais Bourbon – 75007 Paris | +33 1 45 55 00 67

The fashion world is in mourning today after the shock confirmation yesterday that the house of Rochas, led to great acclaim by designer Olivier Theyskens for the past three years, is to close. A spokeswoman for Procter & Gamble, which owns the French fashion label, said yesterday 30 workers in Paris has been informed of a shutdown plan ?but declined to elaborate except to say that the autumn/winter 2006-7 collection would still be delivered. Founded by Marcel Rochas in 1924, the company existed only as a fragrance house after his death in 1955. It was revived by Wella, which made the classic Rochas Femme scent, in 1990 with Peter O’Brien in the position of creative director. Since Theyskens, who won the International Award at the CFDA awards this year, took over in 2003, Rochas has become one of the most impressive collections on the ready-to-wear calendar, with the likes of Sarah Jessica Parker and Kirsten Dunst showing their support by wearing it on the red carpet in recent months. While the financial state of the company was not revealed yesterday, it is thought to have still been loss-making despite Theyskens’ burgeoning success ?and as a beauty company, it is unsurprising that Procter & Gamble have eventually shirked the added responsibility of a fashion empire ?even one that grew 30 per cent last year. “It was one of the hottest businesses on the floor,” said Julie Gilhart, fashion director of Barneys, New York. “Olivier took an unknown brand and made it one of the most desirable ones in fashion in a short amount of time.” Anna Wintour, too, is sad to see Rochas go – but hopeful that the Theyskens star will continue to rise. “It’s an enormous shame,” she said yesterday. “Olivier is one of our brightest young talents on an international platform. He has taken enormous care to build that brand in a slow and methodical way so that the fashion customer totally understands what the Rochas signature looks are.” So where will he go next? Watch this space.
(July 19 2006, AM) Dolly Jones from www.vogue.co.uk

It truly is the saddest news this season. How could businessmen ruin a house like Rochas, yet also an uncompromising talent like Theyskens?!

I can never give enuf space to this lady, as we always have great, brainstorming, inspiring conversation every single time, & sure she deserves a lot more in any given fashion cities. What on earth has she got exactly to be able to sprinkle the magic rain in the fashion arena? i know not, is it the daring verbal comments? her ultimate eyes & taste? her lil daughters’ & Robin’s assistance? or combo of all of the above? Yet, I know why cos we clicked.
It’s a matter of choix for customers to cater the “latest & unworthy”or the “tasteful ones that last”. It takes lotsa courage to buy brands like Azzaro, Revillon, Loulou de la Falaise & Rochas, & of cos the one & only Azzedine Alaia. If AA has enuf clients in Paris to keep him survive all these quiet years, he deserves a lot more in HK. We spoke abt how frustrating it is to work in the local industry where all positions are just up for $ w/ no bloody sense, lucky that she believes in herself. A shop like MLHK need lotsa core customers I guess, or any customers in fact.
Charles Anatase, Christian Wijnant, & dun forget the most promising Givenchy & Nicolas Andreas Taralis (Hedi Slimane’s ex-assistant) are all now available at Maria Luisa HK, the ones who could afford it, pls go & check it out, & of cos- SHOP!!!

Wow! It takes lots to create something like this. The ones who’re lucky enuf to witness this twice must be over the moon(once in Paris in January), if he/ she really like fashion, i mean. What’s more? Karl was in town for this & his next ad. That nite, he was wearing the only piece I like in DH P/E defile, that Chinese brocade tux jkt. It was simply surreal. It all went crazy just 2days before, not many parties could get on my nerve, but this one surely did, as if it was more or less like a christening or a mask, or sth like a holy ceremony, in this case, we simply cannot look like a piece of holy shit, cos we were all gonna go to worship the highest level of fashion or sth. Some might say “oh, it’s no biggies to see HC show, we’ve seen them in Paris.” However, making a big fuss to transport the original ideas to FarEast & turn out perfect was sth else, I got to hand it to the CC gals.
The clothes were heavenly, silhouette was strong & rigid, when hair & makeup were powdery like, it was all abt balance. “flou & “tailleur” fr Premiere d’atelier work well on the entire collection. It might look simple & clean on the surface, but we all know, as Amanda H once said, Chanel has a simple structure, but not internally. It now is a house of love since they acquired all the skillful maisons in Paris: Lesage, Massaros, & regular service fr Montex etc, giving all the petite mains bread & butter on a regular basis, & it all started w/ love.
“…hi, Amanda, how are you?” I dunno where I got the courage to even say “hi” to the priestess de la Hall of Fame like we’re old fds while she’s approaching the washroom in urgency, & of cos, Lucia who stood next to me was having her eyes all locked up on the guy next to Lady H. Anyway, “he’ll text you.” w/ a smile was all we got, & she did get text after text, lucky that we’re in civil gadget world. Got to hand it to this Lucia too, cos as the story developed, bcos of all those texts & more, we ended up having a late nite drink w/ the CC bunch at 4Seasons few days later (w/out Karl of cos). Enlightenment came as the lady sat next to me- Catherine, started telling her CC story back to 13 yrs ago. From a freelance PR to an in-house small potato to CC pearl expert, it all started w/ her own initiative & courage, & like Karl, she is clearly an opportunist, & why not if you could archieve your goal one day? So, to those who have a dream- “keep dreaming…”


Phoenix to the Flame
It’s been disappointing for seasons with Dior Homme, I even feel sorry for how DH turned into styling instead of designing. However, A/H 06 is a defile which could remotely reminds us of the aesthetic we once knew & loved (a la Solitaire) collection, & I luv it. As i was reading some of the critiques from forums and reports, i wasn’t quite sure if most of you/us, whomever is a fan of DH…had stopped to see pass the fabrics & cuts, if it was ‘ready-to-wear’ (or ‘couture’?!), to actually see the symbolisim that Hedi has given us thru the show (as a whole) with its darkness, & yet it once spoke out loud even if you try to ignore. Yes, A/H 06′s shape recalled to previous collections, and as far as i can tell that doesn’t seem to be that big of a shock to fans of Hedi’s work, because we’ve seen wider trousers at his YSL. And as a hard core DH fan, it’s the rocker tees, the music influences, the trend, and of cos the hype & so-called cult killed DH, those were influence from his personal hobbies/life… call it “hedi’s rocker phase” if you like, and he was not doing a good job as a designer. When the name Dior Homme came to mind, it most certainly did not bring images of tees or thrift store chic(whatever that means). Most people grew with that, became comfortable with it, and boys thought they could rack up in thrift store waistcoats, tight jeans, tanks, throw on a yard of material as a scarf, and bang!- i’m luxurious, because it’s dior homme per se. It was so much of a hype, and like every hype- it fades. Therefore, purely personal opinion, I am glad all those hip/music/rock/brit pop hype phase have come to an end. FULL STOP. PAST TENSE. If you look deeper, DH is now what it’s always meant to be- risky, seriously exclusive, slightly twisted, dangerously sexy(Saint Laurentesque), extremely hard to pull off, certainly not for everyone and anyone; those tees, jeans et al were just way too easy for the stylist (not designer) and the wearer, it was easy money to make for sure. Time to go back to structured, intrigued, details & delicacy… the real Dior Homme par Hedi Slimane. This is a sense of renewal, as if- all the old clothes were burning in the back, and not just the clothes, the attitude as well, the over-confident Dior boy was just a mess. I mean, where could he have gone after P/E06?…. who on earth’d wanna look like Pete Doherty anyway?! If you like thin white duke, voila, this is the true duke. Overall, the attitude & asthetic of Dior Homme have become a lifestyle, whether you’re a Dior garcon/man or not, i wonder, and hope, that this is a landmark with which will clearly seperate those who can relate to the real tour de force. It’s like the last breath of air/the last drum beat, time to shape up; clean up, to return to what the true Dior Homme should be. I’ve been longing to sth exactly like this A/H 06 defile, instead of leather bomber baseball jkt, as a luxurious brand & Hedi as a designer, it was deceiving, disgraceful, lack of sincerity, and also pretentious when I read about his interview in the UK Vogue, describing himself a designer cum artist cum photographer cum whatever he claimed himself to be. IMO, he kinda lost track, & of cos, self-claimed “artist” in a self-concious way has never been chic, & as a french, he should know better. That was the moment when I thought about giving DH all up completely. Luckily, in came this show, another disirable DH collection yet again. This is not about the designer, we are over that designer-driven era now (see how hard Tom Ford’s tried?), this is about clothes, the cutting, the fit, the elegant gesture that comes along with the garment, all these I find from no other brands but Dior once offered, and now reappeared.

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